Wrtitten by: Matthew Graham
Directed by:Andrew Guun
1. Plot Summary:
Here is a box, a musical box. The episode opens in the style of the opening of the classic children’s series Camberwick Green with a puppet emerging from a rotating musical box. Instead of Police Constable McGarry (Number 452) we get Detective Inspector Tyler (number unknown). The puppet Sam is unhappy because Gene Hunt is “kicking in a nonce again”. At this point we cut from the Gordon Murray inspired stop motion animation to Sam’s grotty bedsit. The poor man is not at all well, clothes and bottles of Lucozade are strewn all over the floor of the grotty flat. Sam receives a phone-call from work and rushes to A-Division, on the way receiving a series of surreal messages from 2006, just in time to see Mr Simon Lamb try to hang himself from one of the light fittings.
[digg=http://digg.com/television/Life_on_Mars_2_5_A_Review]Lamb’s wife and daughter have been kidnapped, and unless Graham Bathurst is released from prison they will be killed. In 1972, Bathurst was convicted of killing Charley Whitham, a 14 year old schoolgirl. Whilst Sam was sweating it out, A-Division have spent the past two days running a kidnap enquiry. Ray, ever the sympathetic colleague says to Sam that they have been working flat out and that he has not been to the pub for 36 hours.
Despite the fact that Sam appears to be tripping his head off, he has a fresh perspective on the case, and can see things that his colleagues might have missed as a result of sleep deprivation.
Having overdosed him with stimulants in 2006, the doctors give him a large dose of sedatives, and Sam in 1973 passes out, and in a very sureal scene watches the events unfold on television, changing channels to see different peoples perspectives on the events.
Whilst Sam is indisposed, Annie solves the mystery and other members of A-Division follow her lead. Phyllis the Desk Sergeant tells Annie that the doctors in 1973 have tested Sam and it appears that the soft drink he was consuming whilst undercover before a drugs raid the previous weekend had been laced with LSD, explaining his strange behaviour in 1973.
2. Thoughts:
Well, after weeks of building up the case for Sam Tyler being a time traveller, this week we are presented with an episode that reinforces the notion that this is all a coma-induced dream. One theory I read on the Outpost Gallifrey Forum states that Sam has placed himself in his favourite television series in order to survive. That Gene, Annie, Chris, Ray and Phyllis are all characters in a drama about the police in the early seventies. Except, if this was the case and Sam is being the ultimate Mary Sue, where an author writes themselves into a story and solve the mystery to show how clever they are, why did the team at A-Division not fall to pieces when Sam collapsed. They continued to act competently, solving the case and rescuing the two kidnapped women without the assistance of DI Tyler. Yes I know Sam worked out that Graham Bathurst was innocent at the end of the episode by correctly identifying the oil found on the rag that had suffocated Charley Whitham, but that was the icing on the cake, if he were a Mary Sue, he would have woken up, rescued the women and then tap-danced in the police station. I still think that Sam is in 1973 because his body is in a coma in 2006. That he is putting right the things that the original Sam Tyler did wrong before he can go home. However, because his real body is still in 2006, anything done to it will be telegraphed back to 1973, just as the good things he does back tehn postively affect the world he has been exiled from.
Lets be honest, at first there was nothing odd about Simon Lamb, He appears to be an ordinary guy worried about his wife and child. However, the seeds of doubt are cleverly laid and the milky milky learing look he gives the girl on the bicycle at the end of the episode was just dots the I’s and crosses the the T’s.
Anyone who was a child in the seventies will be able to recite the fireman’s roll call from Trumpton and many of the other iconic images from the three children’s puppet series produced by Gordon Miller for the BBC between 1967 and 1969. It was inevitable that they would turn up in Life on Mars somehow, and the site of Sam emerging from the musical box is just brilliant, and later him telling Gene Hunt to “stay out of Camberwick Green” is now my favourite moment from the entire series
The Annie/Sam relationship is developing nicely, although there is no way that it is going to end well. What will happen when our Sam returns home. Something will is bound to happen to make sure that their relatinship goes no further than professional friendship.
Stars:
5 out of 5