Written by: Josh Appelbaum, André Nemec and Scott Rosenburg (Based on the Kudos International/BBC Wales drama Life on Mars)
Directed by: Gary Fleder
Starring: Harvey Keitel, Jason O’Mara, Gretchen Mol, Michael Imerioli, Jonathan Murphy and Lisa Bonet.
1. Plot:
Detective Sam Tyler, NYPD is on the verge of cracking the case of a viscious serial killer when he is run over and falls into a coma. He wakes up and it is 1973. He is still a police detective, but he is now operating in a more primative and less efficient era, working without the benefits of twenty-first century technology. He discovers that a killer with the same MO as the man he was persuing in 2008 is stalking the streets of Manhattan in 1973. This makes no sense, as his suspect in 2008 would only be a child in 1973.
2. Thoughts:
I had only seen parts of the aborted original pilot for the US version of Life on Mars and what I saw sucked on all cylinders. This afternoon I saw Tte version that was finally broadcast last Thursday on ABC was a great improvement on the pilot. Sam returning to the New York of Kojak rather than Sam beign time-warped to Starsky and Hutch made the look and feel of the piece far more like the UK original. In fact, in many ways this is a very faithful adaptation of the original, almost a scene for scene adaptation, which sometimes makes me wonder exactly what is the point. Why not just show the UK version?
John Simm’s original Sam Tyler was spiky, neurotic and not very likeable. Jason O’Mara portrayal of Sam Tyler on the other hand is a pleasant well meaning chap. Making Sam conventionally good looking underestimates the audience, as if they can only sympathise with a hunk. I wonder if the casting of a “pretty boy” was at the insistence of Network Executives and bringing Sam within a whisper of killing an as of yet innocent young child was designed undermine this growing sympathy and bring back some of the edginess of the UK original.
Harvey Keitel was very good as Gene Hunt but this was a very different Gene Geenie to the one portrayed by Philip Glennister. This Hunt is older and more world weary than his British alter-ego. I suspect that this Gene Hunt saw action on the beaches of Normandy, or somewhere equally traumatic during World War Two. He is not a man who broadcasts his bigotry, he spreads it through quite, subtly making it appear acceptable and reasonable. I wonder how far the executives in US Network ABC will allow the character of Gene Hunt to go in this version, will they for instance allow the “spastic in a magnet factory” line. As much as I dislike the racist and sexist attitudes of Gene Hunt, it is vital to remind people that such people and attitudes exisited and just how wrong they are, not to try and pretend they never existed.
In the aborted pilot, Annie was already a detective. In this version, as in the UK original, she is still in uniform waiting for her big break. This is a good thing, as Annie’s growing confidence and eventual promotion were one of the best things about the UK original. It showed that there was light at the end of the tunnel, and that things were about to change. To be perfectly honest, I think I prefer Gretchen Mol’s Annie to Liz White’s original.
As with the UK original, the characters of Chris and Ray are still in the background in this opening episode. I suspect however, we will see a more likeable side to the character of Ray Skelton in this series, as his UK counterpart had no redeeming qualities what so ever.
So on the whole, and enjoyable first episode, and I look forward to seeing the rest of the series.
3. Stars:
3.5 out of 5